More information is available on the operahouse's official website.This production seems to be the filler in the Metropolitan Opera's 2008 high definition season. The opera culminates in Manon’s heartbreaking Act IV aria ‘Sola, perduta, abbandonata’, as she contemplates her impending death. Des Grieux expresses his passion for Manon in the Act I aria ‘Vedete? io son fedele’, lively dances evoke Manon’s luxurious life in Paris in Act II, while in the impassioned finale to Act III, ‘Pazza son!’, Des Grieux begs to be allowed to join the imprisoned Manon on her voyage to America. Puccini’s sumptuous, richly-coloured score is characterized by youthful vitality and filled with glorious melodies. Jonathan Kent – director of The Royal Opera’s much-loved staging of Tosca – brings a new production of Manon Lescaut to Covent Garden.

Despite a troubled gestation (five librettists were engaged in the project), the premiere of Manon Lescaut in 1893 was Puccini’s first major triumph – a hit with critics and the public alike. But Puccini was not to be dissuaded, claiming ‘a woman like Manon can have more than one lover’. Puccini’s publisher tried to prevent him from adapting Abbé Prévost’s L’Histoire du chevalier des Grieux et de Manon Lescaut – Massenet had already created a highly successful opera based on the novel.

The pair fall in love and escape to Paris, but when the elderly Geronte offers Manon a life of wealth and luxury, her head is turned.

Manon is on her way to a convent when she meets the young student Des Grieux. Broadcasted live in theaters around the world on Tuesday 24 June

Manon lescaut puccini opera